O culto da arte em Portugal by Ramalho Ortigão
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About this eBook
Author | Ortigão, Ramalho, 1836-1915 |
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LoC No. | ltf91040575 |
Title | O culto da arte em Portugal |
Note | Reading ease score: 27.5 (College graduate level). Very difficult to read. |
Credits |
Produced by Rita Farinha and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by National Library of Portugal (Biblioteca Nacional de Portugal).) |
Summary | "O culto da arte em Portugal" by Ramalho Ortigão is a historical account written in the late 19th century. The work explores the cultural and artistic heritage of Portugal, critically examining the state of its architectural monuments and the societal attitudes towards art during his time. It likely delves into themes of restoration, national pride, and the relationship between art and history, as well as the decline of traditional craftsmanship. The opening portion of the text sets a reflective tone as the author discusses the rich artistic history of Portugal, particularly during the Renaissance and Medieval periods. He details the monumental works—cathedrals, palaces, and public buildings—constructed as expressions of faith and national identity. However, he expresses concern over the neglect and degradation of these works in contemporary society, lamenting the lack of appreciation for cultural heritage and professionalism in restoration practices. Ortigão critiques both the indifferent attitudes of the authorities and the failures in executing restoration efforts, emphasizing the need for a return to a sense of patriotic solidarity and respect for the country's artistic legacy. (This is an automatically generated summary.) |
Language | Portuguese |
LoC Class | N: Fine Arts |
Subject | Art, Portuguese |
Subject | Art -- Portugal |
Category | Text |
EBook-No. | 30456 |
Release Date | Nov 12, 2009 |
Most Recently Updated | Jan 5, 2021 |
Copyright Status | Public domain in the USA. |
Downloads | 57 downloads in the last 30 days. |
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