How to Get Rich
Date: 2021-05-11T00:00:00+00:00
Keywords: Formulas; recipes; etc.

The Project Gutenberg eBook of How to Get Rich

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: How to Get Rich

Author: Anonymous

Release date: May 11, 2021 [eBook #65322]

Language: English

Credits: Demian Katz, Craig Kirkwood, and the Online Distributed Proofreading Team at https://www.pgdp.net (Images courtesy of the Digital Library@Villanova University)

*** START OF THE PROJECT GUTENBERG EBOOK HOW TO GET RICH ***

Multum in Parvo
Library.

Entered at Post Office as Second-Class matter.

Vol. I.

August, 1894.
Published Monthly.

No. 8.

How
To Get Rich.

Smallest Magazine in the World. Subscription
price, 50 cts. per year. Single copies, 5 cents each.

PUBLISHED BY
A. B. COURTNEY,
671 Tremont Street, Boston.

HOW TO GET RICH.
Valuable Money-Making Secrets.

These recipes have sold for five dollars
each, and have been the foundations of
many good-sized fortunes.

This collection of recipes and formulas for making various articles which are in constant use in every household are, for the most part, articles upon which very large profits are made, both by manufacturers and dealers; some things, which cost but two or three cents to make, being retailed for as much as twenty-five cents. We point out to you the proper method to be pursued in the manufacture of these various articles, and expect you to use your own judgment and discretion in the matter of putting them up for market, and exposing them for sale. The goods, when ready for market, may be sold either direct to consumers at retail, or to store-keepers at wholesale. Those who adopt the former method may canvass from house to house, or establish a store and sell therefrom. The various ingredients required to compound all the different articles for which recipes are here given may be purchased at wholesale drug and grocery stores in any of the large cities. Large fortunes have been made upon the manufacture of single articles, for which recipes are here given, and there is no reason why any one may not acquire a competency in the same way, providing he has the necessary push and sagacity. Here is an opportunity to be your own manufacturer, your own wholesaler and your own retailer. Given these advantages, you may undersell those in the ordinary channels of trade, and still make handsome profits; and we trust that the information herein contained may be the means of starting many a poor person toward making a fortune or a good income.

Black Ink.—Ink, like soap, is something everybody uses, and few people realize that thousands of barrels of it are made and sold.

Recipe for making the best and most durable black writing ink, as used by the leading penmen of the United States and Canada.

To 2 gallons of strong decoction of logwood, well strained, add 1 1/2 lbs. blue galls in coarse powder, 6 ounces sulphate of iron, 1 oz. acetate of copper, 6 oz. of pulverized sugar, and 8 oz. of gum arabic; set the above on the fire until it begins to boil, strain, and then set it away until it has acquired the desired blackness. The strong “decoction of logwood” is made by boiling; use soft water, into which put two ounces of logwood; strain after taking from the fire.

The above ink properly made, according to the above directions, is unsurpassed for elegant writing of any kind. It flows freely from the pen, turns to a deep black after writing, and does not fade. Records written with it fifty years ago are as legible as the day they were put upon the paper.

Fig Candy.—Take 1 pound of sugar and 1 pint of water; set over a slow fire. When done, add a few drops of vinegar and a lump of butter, and pour into pans in which split figs are laid.

Red Sealing Wax.—Purchase 4 lbs. shellac, 1 1/2 lbs. venice turpentine, 3 lbs. finest cinnabar and 4 oz. venetian; mix the whole well together, and melt over a very slow fire. Pour it on a thick, smooth glass, or any other flat, smooth surface, and make it into 3, 6 or 10 sticks.

Silver Ink.—Mix 1 oz. of the finest pewter or block tin in shavings with 2 oz. quicksilver till all becomes fluid; then add to it sufficient gum arabic water to produce the proper consistency.

Yellow Ink.—A little alum added to saffron, in soft, hot water, makes a beautiful yellow ink.

Mucilage for Labels.—Dextrine, 2 ounces; glycerine, 1 drachm; alcohol, 1 ounce; water, 6 ounces.

The Celebrated Chemical Compound.—Take one pint of alcohol, 2 gills nitrous spirits ether, 2 oz. bicromate potash, 2 oz. powdered cinnamon, 2 oz. aqua fortis. Mix all the above together and let it stand twenty-four hours and it is fit for use. Bottle in ounce vials, and sell for 25 cents. To extract grease stains, etc., from cloth, saturate with cold water, dip a sponge in the liquid and apply it, and repeat if necessary, and wash off with cold water.

Gold Ink.—Two parts mosaic, 1 part gum arabic (by measure); mix with soft water until reduced to a proper condition.

Green Ink.—Powder 1 ounce verdigris, and put it in 1 quart of vinegar; after it has stood two or three days, strain off the liquid.

Blue Ink.—Two oz. Chinese blue, 3/4 oz. pure oxolid acid, 1 oz. powdered gum arabic, 6 pints distilled soft water; mix well and then strain.

Purple Ink.—Eight parts logwood in 64 parts soft water, by measure, boil down to one-half, then strain and add one part chloride of tin.

Imitation Gold.—Sixteen parts platina, seven parts copper, one part zinc. Put in a covered crucible, with powdered charcoal, and melt together till the whole forms one mass, and are thoroughly incorporated together. Or, take 4 oz. platina, 3 oz. silver, 1 oz. copper.

Imitation Silver.—Eleven ounces refined nickel, two ounces metallic bismuth. Melt the compositions together three times, and pour them out in ley. The third time, when melting, add two ounces pure silver. Or take one-quarter ounce copper, one ounce bismuth, two ounces saltpetre, two ounces common salt, one ounce arsenic, one ounce potash, two ounces brass, and three ounces pure silver. Melt all together in a crucible.

Florida Water.—Half pint proof spirits, two drachms oil lemon, half drachm oil rosemary. Mix.

Freckle Lotion.—Muriate of ammonia, one drachm; cologne water, two drachms; distilled water, seven ounces; mix and use as a wash. It contains nothing injurious.

Windsor Soap.—This is made with lard. In France they use lard, with a portion of olive or bleached palm oil. It is made with one part of olive oil to nine of tallow; but a greater part of what is sold is only curd (tallow) soap, and scented with oil of caraway and bergamot. The brown is colored with burnt sugar or umber.

To Make Maple Sugar without Maple Trees.—Though the secret I am about to reveal may seem very simple (when explained), I believe there are few who would discover it of their own accord. The value of the maple sugar crop is considerable, and there is ready sale for all that can be made. I was led by curiosity to boil down a little butternut sap, one time, with an equal quantity of maple sap, and the result was, a sugar which I could not distinguish from pure maple. I experimented further and found that if a little common (cane) sugar was added to the sap of the butternut, it would do as well as an addition of maple sap. I found that the sap of birch and several other trees would also make, when a very little cane sugar was added, a sugar which in looks and taste exactly resembled maple. To be able to make “maple” sugar from trees not heretofore deemed valuable for the purpose is just so much clear profit.

Traveller’s Ink.—White blotting paper is saturated with aniline black, and several sheets are pasted together so as to form a thick pad. When required for use a small piece is torn off and covered with a little water. The black liquid which dissolves out is a good writing ink. A square inch of paper will produce enough ink to last a considerable writing, and a few pads would be all that an exploring party need carry with them. As water is always available the ink is readily made. This is a perfectly original and new recipe. Any enterprising man can make a large income out of its manufacture.

Violet Ink.—1 oz. best violet aniline; dissolve it in one gill of hot alcohol, stir, and when thoroughly dissolved add one gallon of boiling hot water; dissolve in the hot water 1 1/2 oz. white gum arabic. This will make the most rich and beautiful ink of this color in existence; will not fade or corrode steel pens, and is not injured by freezing. An addition of 1 lb. of sugar and 1/2 lb. glycerine will make an excellent copying ink. This ink is usually sold at $2 per pint bottle, $1 for half pint and 50 cents for gill bottle. It is worth an enterprising man or woman $1,000. Do not bury it—use it and make money out of it.

New York Barber’s Star Hair Oil.—Castor oil, 6 1/2 pints, alcohol, 1 1/2 pints, oil of citronella, 1/2 ounce, lavender, 1/4 ounce. Mix well, put in 4-ounce bottles; retail at 25 cents each.

Furniture Polish.—Equal parts sweet oil and vinegar, and a pint of gum arabic finely powdered. Shake the bottle and apply with a rag. It will make furniture look as good as new.

Artificial Gold.—This is a new metallic alloy which is now very extensively used in France as a substitute for gold. Pure copper, one hundred parts; zinc, or, preferably, tin, seventeen parts; magnesia, six parts; sal-ammoniac, three-sixths parts; quick-lime, one-eighth part; tartar of commerce, nine parts, are mixed as follows: The copper is first melted, and the magnesia, sal-ammoniac, lime and tartar are then added separately, and by degrees, in the form of powder; the whole is now briskly stirred for about half an hour, so as to mix thoroughly; and when the zinc is added in small grains by throwing it on the surface, and stirring till it is entirely fused, the crucible is then covered, and the fusion maintained for about thirty-five minutes. The surface is then skimmed, and the alloy is ready for casting. It has a fine grain, is malleable, and takes a splendid polish. It does not corrode readily, and for many purposes is an excellent substitute for gold. When tarnished, its brilliancy can be restored by a little acidulated water. If tin be employed instead of zinc, the alloy will be more brilliant. It is very much used in France, and must ultimately attain equal popularity here.

Baking Powder.—The following receipt is the same as used in the preparation of the standard baking powders of the day, and if put up attractively will sell readily at the usual prices. Take 1 pound of tartaric acid in crystals, 1 1/2 pounds of bi-carbonate of soda and 1 1/2 pounds of potato starch. Each must be powdered separately, well dried by slow heat, well mixed through a sieve. Pack hard in tinfoil, tin or paper glazed on the outside. The tartaric acid and bi-carbonate of soda can, of course, be bought cheaper of wholesale druggists than you can make them, unless you are doing things on a very large scale, but potato starch any one can make; it is only necessary to peel the potatoes and to grate them up fine into vessels of water, to let them settle, pour off the water and make the settlings into balls, and to dry them. With these directions any one can make as good a baking powder as is sold anywhere; if he wants to make it very cheap, he can take cream of tartar and common washing (carbonate of) soda, instead of the articles named in the recipe, but this would be advisable only where customers insist on excessively low prices in preference to quality of goods.

Babbit’s Premium Soap.—Five gallons of strong lye, five gallons of water, five pounds of tallow, two pounds of sal soda, half a pound of rosin, one pint salt, one pint washing fluid. Let this water boil, then put in the articles, and boil half an hour. Stir it well while boiling, and then run it into moulds: it will be ready for use as soon as cold. The above is for 100 pounds of soap.

Royal Washing Powder.—Mix any quantity of soda ash with an equal quantity of carbonate of soda—ordinary soda—crushed into coarse grains. Have a thin solution of glue, or decoction of linseed oil ready, into which pour the soda until quite thick. Spread it out on boards in a warm apartment to dry. As soon as dry shake up well so that it will pack easily into nice, square packages. Label neatly. Pound packages cost 7 cents, retail for 25 cents.

Patent Starch Polish.—Take common dry potato or wheat starch, sufficient to make a pint of starch when boiled. When boiled add one-half drachm spermaceti, and one-half drachm of white wax, then use it as common starch, only using the iron as hot as possible.

Invisible Ink.—Sulphuric acid 1 part, water 20 parts; mix together and write with a quill pen, which writing can only be read after heating it.

Fine Peppermint Lozenges.—Best powdered white sugar, 7 pounds; pure starch, 1 pound; oil of peppermint to flavor. Mix with mucilage.

India Ink.—Ivory black ground into powder, make into a paste with a few drops of essence of musk, and one half as much essence of ambergris, and then form into cakes.

To Preserve Flowers in Water.—Mix a little carbonate of soda in the water, and it will keep the flowers a fortnight.

Ginger Lozenges.—Mix with the white of eggs four ounces of powdered ginger, two pounds of white sugar, and one pound of starch.

To Restore the Color of Black Kid Boots.—Take a small quantity of good black ink, mix it with the white of an egg, and apply it to the boots with a soft sponge.

Color for Wicker Baskets, or any small Articles of the Kind.—Dissolve one stick of black sealing-wax and one stick of red in two ounces of spirits of wine. Lay it on with a small brush.

To Remove Stains from Books.—To remove ink-spots, apply a solution of oxalic, citric, or tartaric acid. To remove spots of grease, wax, oil, or fat, wash the injured part with either, and place it between white blotting-paper. Then, with a hot iron, press above the part stained.

To Clean Black Veils.—Pass them through a warm liquor of bullock’s gall and water; rinse in cold water; then take a small piece of glue, pour boiling water on it, and pass the veil through it; clap it, and frame to dry. Instead of framing, it may be fastened with drawing-pins closely fixed upon a very clean paste or drawing-board.

To Clean a Marble Chimney Piece.—If the marble is white, procure half a pound of pearlash, one pound of whiting, and half a pound of soft soap; boil all these ingredients together until they attain the consistence of a thick paste. When nearly cold, lay it upon the marble, and let it remain on it for at least twenty-four hours. Wash it off with soft water, and polish with linen rags. Spirits of turpentine is excellent for cleaning black marble.

Oil Stains in Silk and other Fabrics.—Benzine is most effectual, not only for silk, but for any other material whatever. It can be procured from any druggist. By simply covering both sides of greased silk with magnesia, and allowing it to remain for a few hours, the oil is absorbed by the powder. Should the first application be insufficient, it may be repeated, and even rubbed in with the hand. Should the silk be Tussah or Indian silk, it will wash.

Scarlet Ink.—Dissolve 1 oz. garancine of the best quality in 1 oz. liquor ammonia; add 1 pint soft cold water distilled; mix together in a mortar, filter and dissolve in it 1/2 oz. of gum arabic.

Luminous Ink.—Shines in the dark—Phosphorous, one-half drachm, oil cinnamon, one-half oz., mix in a vial, cork tightly, heat it slowly until mixed. A letter written with this ink can only be read in a dark room, when the writing will have the appearance of fire.

Brown Ink.—Take 4 parts powdered catechu and put it in 6 parts soft water; let it stand for half a day, shaking occasionally, then strain, and to bring it to the proper consistency, add sufficient of a solution of bichromate of potash, 1 part in 16 of water, all by measure.

Ink Powder.—One pound of nutgall, 7 ounces copperas, 7 ounces gum arabic: this amount of ink powder will make one gallon of good black ink; to prevent it from moulding, powder two or three cloves and mix with each pound of powder.

Excelsior Hair Oil.—One gallon cologne spirits 90 per cent. proof, add of the oil of lemon, orange and bergamot, each a spoonful, add also of the extract of vanilla 40 drops, shake until the oils are cut up, then add one and a half pints of soft water.

Commercial Writing Ink.—Galls, 1 ounce; gum, 1/2 ounce; cloves, 1/2 ounce; sulphate of iron, 1/2 ounce; water, 8 ounces. Digest by frequent shaking until it has sufficient color. This is a good durable ink and will bear diluting.

Indelible Ink.—For marking linen without preparation. Nitrate of silver, 1 1/2 oz., dissolve in 6 oz. of liquor ammonia fortis, archil for coloring, 1 oz. Gum mucilage, 12 ounces. The best extant.

Bristol’s Tooth Powder.—Prepared chalk, 1 pound; castile soap, 1/2 pound; powdered yellow bark, 2 ounces; powdered gum myrrh, 2 ounces; powdered loaf sugar, 2 ounces; powdered orris, 2 ounces. Mix well, after having first pulverized the castile.

Cold Cream.—One pound of lard, three ounces of spermaceti. Melt with a gentle heat, and when cooling stir in orange-flower water, one ounce, essence of lavender, twenty-six drops.

To Make Paint for One Cent a Pound.—To one gallon of soft hot water add four pounds sulphate of zinc (crude). Let it dissolve perfectly, and a sediment will settle at the bottom. Turn the clear solution into another vessel. To one gallon of paint (lead and oil), mix one gallon of the compound. Stir into it the paint slowly for ten or fifteen minutes, and the compound and the paint will perfectly combine. If too thick, thin it with turpentine. This receipt has been sold to painters as high as $100 for the privilege to use the same in their business.

Almond Cream.—(There is nothing equal to this cream for softening and whitening the hands.) Mix honey, almond meal and olive oil into a paste to be used after washing with soap. Castile soap is best for use; it will cure a scratch, or cut, and prevents any spot.

Cream of Roses.—Take one teacupful of rose water, as much sub-carbonate of potash as will lie on a shilling, and half an ounce of oil of sweet almonds. Let all be well shaken together until it becomes thoroughly mixed, which will take some time. This is one of the best face washes made, and is entirely harmless.

Excellent Pomade.—Three ounces of olive oil, three-quarters of a drachm of the oil of almonds, two drachms of palm oil, half an ounce of white wax, a quarter of a pound of lard, and three-quarters of a drachm of the essence of bergamot. This pomade is excellent for strengthening the hair, promoting the growth of whiskers and moustaches, and preventing baldness.

Superior Cologne Water.—Alcohol, one gallon; add oil of cloves, lemon, nutmeg and bergamot, each one drachm; oil neroli, three and a half drachms; seven drops of oils of rosemary, lavender and cassia; half a pint of spirits of nitre; half a pint of elder-flower water. Let it stand a day or two, then take a colander and at the bottom lay a piece of white cloth, and fill it up, one-fourth of white sand, and filter through it.

Family Salve.—Take the root of the yellow dock and dandelion, equal parts; add good proportion of celandine and plantain. Extract the juices by steeping or pressing. Strain carefully, and simmer the liquid with sweet cream or fresh butter and mutton tallow, or sweet oil and mutton tallow. Simmer together until no appearance of the liquid remains. Before it is quite cold, put it into boxes. This is one of the most soothing and healing preparations for burns, scalds, cuts, and sores of every description.

Japanese Cement.—Immediately mix the best powdered rice with a little cold water, then gradually add boiling water until a proper consistency is acquired, being particularly careful to keep it well stirred all the time; lastly, it must be boiled for a minute in a clean saucepan or earthern pipkin. This glue is beautifully white and almost transparent, for which reason it is well adapted for fancy paper work, which requires a strong and colorless cement.

Transcriber’s Note:

Use of - to represent division in some expressions is standardized to /.

*** END OF THE PROJECT GUTENBERG EBOOK HOW TO GET RICH ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- How To Get Rich.

- HOW TO GET RICH. Valuable Money-Making Secrets.

- Transcriber’s Note:

- THE FULL PROJECT GUTENBERG LICENSE