Country Lodgings
Date: 2007-10-02T00:00:00+00:00
Keywords: Short stories; England -- Social life and customs -- 19th century -- Fiction; Country life -- England -- Fiction; Widows -- Fiction; Courtship -- Fiction; Pastoral fiction

The Project Gutenberg eBook of Country Lodgings

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Country Lodgings

Author: Mary Russell Mitford

Release date: October 2, 2007 [eBook #22838]
Most recently updated: April 13, 2019

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK COUNTRY LODGINGS ***

COUNTRY LODGINGS

By Mary Russell Mitford

Between two and three years ago, the following pithy advertisement appeared in several of the London papers:—

"Country Lodgings.—Apartments to let in a large farm-house,
situate in a cheap and pleasant village, about forty miles
from London. Apply (if by letter post-paid) to A. B., No. 7,
Salisbury-street, Strand."

Little did I think, whilst admiring in the broad page of the Morning Chronicle the compendious brevity of this announcement, that the pleasant village referred to was our own dear Aberleigh; and that the first tenant of those apartments should be a lady whose family I had long known, and in whose fortunes and destiny I took a more than common interest!

Upton Court was a manor-house of considerable extent, which had in former times been the residence of a distinguished Catholic family, but which, in the changes of property incident to our fluctuating neighbourhood, was now "fallen from its high estate," and degraded into the homestead of a farm so small, that the tenant, a yeoman of the poorest class, was fain to eke out his rent by entering into an agreement with a speculating Belford upholsterer, and letting off a part of the fine old mansion in the shape of furnished lodgings.

Nothing could be finer than the situation of Upton, placed on the summit of a steep acclivity, looking over a rich and fertile valley to a range of woody hills; nothing more beautiful than the approach from Belford, the road leading across a common between a double row of noble oaks, the ground on one side sinking with the abruptness of a north-country burn, whilst a clear spring, bursting from the hill side, made its way to the bottom between patches of shaggy underwood and a grove of smaller trees; a vine-covered cottage just peeping between the foliage, and the picturesque outline of the Court, with its old-fashioned porch, its long windows, and its tall, clustered chimneys towering in the distance. It was the prettiest prospect in all Aberleigh.

The house itself retained strong marks of former stateliness, especially in one projecting wing, too remote from the yard to be devoted to the domestic purposes of the farmer's family. The fine proportions of the lofty and spacious apartments, the rich mouldings of the ceilings, the carved chimney-pieces, and the panelled walls, all attested the former grandeur of the mansion; whilst the fragments of stained glass in the windows of the great gallery, the half-effaced coats of arms over the door-way, the faded family portraits, grim black-visaged knights, and pale shadowy ladies, or the reliques of mouldering tapestry that fluttered against the walls, and, above all, the secret chamber constructed for the priest's hiding-place in days of Protestant persecution, for in darker ages neither of the dominant churches was free from that foul stain,—each of these vestiges of the manners and the history of times long gone by appealed to the imagination, and conspired to give a Mrs. Radcliffe-like, Castle-of-Udolpho-sort of romance to the manor-house. Really, when the wind swept through the overgrown espaliers of that neglected but luxuriant wilderness, the terraced garden; when the screech-owl shrieked from the ivy which clustered up one side of the walls, and "rats and mice, and such small deer," were playing their pranks behind the wainscot, it would have formed as pretty a locality for a supernatural adventure, as ever decayed hunting lodge in the recesses of the Hartz, or ruined fortress on the castled Rhine. Nothing was wanting but the ghost, and a ghost of any taste would have been proud of such a habitation.

Less like a ghost than the inhabitant who did arrive, no human being well could be.

Mrs. Cameron was a young widow. Her father, a Scotch officer, well-born, sickly, and poor, had been but too happy to bestow the hand of his only child upon an old friend and fellow-countryman, the principal clerk in a government office, whose respectable station, easy fortune, excellent sense, and super-excellent character, were, as he thought, and as fathers, right or wrong, are apt to think, advantages more than sufficient to counterbalance a disparity of years and appearance, which some daughters might have thought startling,—the bride being a beautiful girl of seventeen, the bridegroom a plain man of seven-and-fifty. In this case, at least, the father was right. He lived long enough to see that the young wife was unusually attached to her kind and indulgent husband, and died, about a twelve-month after the marriage, with the fullest confidence in her respectability and happiness. Mr. Cameron did not long survive him. Before she was nineteen the fair Helen Cameron was a widow and an orphan, with one beautiful boy, to whom she was left sole personal guardian, an income being secured to her ample for her rank in life, but clogged with the one condition of her not marrying again.

Such was the tenant, who, wearied of her dull suburban home, a red brick house in the middle of a row of red brick houses; tired of the loneliness which never presses so much upon the spirits as when left solitary in the environs of a great city; pining for country liberty, for green trees, and fresh air; much caught by the picturesque-ness of Upton, and its mixture of old-fashioned stateliness and village rusticity; and, perhaps, a little swayed by a desire to be near an old friend and correspondent of the mother, to whose memory she was so strongly attached, came in the budding spring time, the showery, flowery month of April, to spend the ensuing summer at the Court.

We, on our part, regarded her arrival with no common interest. To me it seemed but yesterday since I had received an epistle of thanks for a present of one of dear Mary Howitt's charming children's books,—an epistle undoubtedly not indited by the writer,—in huge round text, between double pencil lines, with certain small errors of orthography corrected in a smaller hand above; followed in due time by postscripts to her mother's letters, upon one single line, and the spelling much amended; then by a short, very short note, in French; and at last, by a despatch of unquestionable authenticity, all about doves and rabbits,—a holiday scrawl, rambling, scrambling, and uneven, and free from restraint as heart could desire. It appeared but yesterday since Helen Graham was herself a child; and here she was, within two miles of us, a widow and a mother!

Our correspondence had been broken off by the death of Mrs. Graham when she was about ten years old, and although I had twice called upon her in my casual visits to town during the lifetime of Mr. Cameron; and although these visits had been most punctually returned, it had happened, as those things do happen in dear, provoking London, where one is sure to miss the people one wishes most to see, that neither party had ever been at home; so that we had never met, and I was at full liberty to indulge in my foolish propensity of sketching in my mind's eye a fancy portrait of my unknown friend.

Il Penseroso is not more different from L'Allegro than was my anticipation from the charming reality. Remembering well her mother's delicate and fragile grace of figure and countenance, and coupling with that recollection her own unprotected and solitary state, and somewhat melancholy story, I had pictured to myself (as if contrast were not in this world of ours much more frequent than congruity) a mild, pensive, interesting, fair-haired beauty, tall, pale, and slender;—I found a Hebe, an Euphrosyne,—a round, rosy, joyous creature, the very impersonation of youth, health, sweetness, and gaiety, laughter flashing from her hazel eyes, smiles dimpling round her coral lips, and the rich curls of her chestnut hair,—for having been fourteen months a widow, she had, of course, laid aside the peculiar dress,—the glossy ringlets of her "bonny brown hair" literally bursting from the comb that attempted to confine them.

We soon found that her mind was as charming as her person. Indeed, her face, lovely as it was, derived the best part of its loveliness from her sunny temper, her frank and ardent spirit, her affectionate and generous heart. It was the ever-varying expression, an expression which could not deceive, that lent such matchless charms to her glowing and animated countenance, and to the round and musical voice sweet as the spoken voice of Malibran, or the still fuller and more exquisite tones of Mrs. Jordan, which, true to the feeling of the moment, vibrated alike to the wildest gaiety and the deepest pathos. In a word, the chief beauty of Helen Cameron was her sensibility. It was the perfume to the rose.

Her little boy, born just before his father's death, and upon whom she doated, was a magnificent piece of still life. Calm, placid, dignified, an infant Hercules for strength and fair proportions, grave as a judge, quiet as a flower, he was, in point of age, exactly at that most delightful period when children are very pleasant to look upon, and require no other sort of notice whatsoever. Of course this state of perfection could not be expected to continue. The young gentleman would soon aspire to the accomplishments of walking and talking—and then!—but as that hour of turmoil and commotion to which his mamma looked forward with ecstacy was yet at some months distance, I contented myself with saying of master Archy, with considerably less than the usual falsehood, that which everybody does say of only children, that he was the finest baby that ever was seen.

We met almost every day. Mrs. Cameron was never weary of driving about our beautiful lanes in her little pony-carriage, and usually called upon us in her way home, we being not merely her oldest, but almost her only friends; for lively and social as was her temper, there was a little touch of shyness about her, which induced her rather to shun than to covet the company of strangers. And indeed the cheerfulness of temper, and activity of mind, which made her so charming an acquisition to a small circle, rendered her independent of general society. Busy as a bee, sportive as a butterfly, she passed the greater part of her time in the open air, and having caught from me that very contagious and engrossing passion, a love of floriculture, had actually undertaken the operation of restoring the old garden at the Court—a coppice of brambles, thistles, and weeds of every description, mixed with flowering shrubs, and overgrown fruit-trees—to something like its original order. The farmer, to be sure, had abandoned the job in despair, contenting himself with growing his cabbages and potatoes in a field hard by. But she was certain that she and her maid Martha, and the boy Bill, who looked after her pony, would weed the paths, and fill the flower-borders in no time. We should see; I had need take good care of my reputation, for she meant her garden to beat mine.

What progress Helen and her forces, a shatter-brain boy who did not know a violet from a nettle, and a London-bred girl who had hardly seen a rose-bush in her life, would have made in clearing this forest of underwood, might easily be foretold. Accident, however, that frequent favourer of bold projects, came to her aid in the shape of a more efficient coadjutor.

Late one evening the fair Helen arrived at our cottage with a face of unwonted gravity. Mrs. Davies (her landlady) had used her very ill. She had taken the west wing in total ignorance of there being other apartments to let at the Court, or she would have secured them. And now a new lodger had arrived, had actually taken possession of two rooms in the centre of the house; and Martha, who had seen him, said he was a young man, and a handsome man—and she herself a young woman unprotected and alone!—It was awkward, very awkward! Was it not very awkward? What was she to do?

Nothing could be done that night; so far was clear; but we praised her prudence, promised to call at Upton the next day, and if necessary, to speak to this new lodger, who might, after all, be no very formidable person; and quite relieved by the vent which she had given to her scruples, she departed in her usual good spirits.

Early the next morning she re-appeared. "She would not have the new lodger disturbed for the world! He was a Pole. One doubtless of those unfortunate exiles. He had told Mrs. Davies that he was a Polish gentleman desirous chiefly of good air, cheapness, and retirement. Beyond a doubt he was one of those unhappy fugitives. He looked grave, and pale, and thoughtful, quite like a hero of romance. Besides, he was the very person who a week before had caught hold of the reins when that little restive pony had taken fright at the baker's cart, and nearly backed Bill and herself into the great gravel-pit on Lanton Common. Bill had entirely lost all command over the pony, and but for the stranger's presence of mind, she did not know what would have become of them. Surely I must remember her telling me the circumstance? Besides, he was unfortunate! He was poor! He was an exile! She would not be the means of driving him from the asylum which he had chosen for all the world!—No! not for all my geraniums!" an expression which is by no means the anti-climax that it seems—for in the eyes of a florist, and that florist an enthusiast and a woman, what is this rusty fusty dusty musty bit of earth, called the world, compared to a stand of bright flowers?

And finding, upon inquiry, that M. Choynowski (so he called himself) had brought a letter of recommendation from a respectable London tradesman, and that there was every appearance of his being, as our fair young friend had conjectured, a foreigner in distress, my father not only agreed that it would be a cruel attempt to drive him from his new home, (a piece of tyranny which, even in this land of freedom, might, I suspect, have been managed in the form of an offer of double rent, by that grand despot, money,) but resolved to offer the few attentions in our poor power, to one whom every look and word proclaimed him to be, in the largest sense of the word, a gentleman.

My father had seen him, not on his visit of inquiry, but on a few days after, bill-hook in hand, hacking away manfully at the briers and brambles of the garden. My first view of him was in a position even less romantic, assisting a Belford tradesman to put up a stove in the nursery.

One of Mrs. Cameron's few causes of complaint in her country lodgings had been the tendency to smoke in that important apartment. We all know that when those two subtle essences, smoke and wind, once come to do battle in a wide, open chimney, the invisible agent is pretty sure to have the best of the day, and to drive his vapoury enemy at full speed before him. M. Choynowski, who by this time had established a gardening acquaintance, not merely with Bill and Martha, but with their fair mistress, happening to see her, one windy evening, in a paroxysm of smoky distress, not merely recommended a stove, after the fashion of the northern nations' notions, but immediately walked into Belford to give his own orders to a respectable ironmonger; and they were in the very act of erecting this admirable accessary to warmth and comfort (really these words are synonymous) when I happened to call.

I could hardly have seen him under circumstances better calculated to display his intelligence, his delicacy, or his good-breeding. The patience, gentleness, and kind feeling, with which he contrived at once to excuse and to remedy certain blunders made by the workmen in the execution of his orders, and the clearness with which, in perfectly correct and idiomatic English, slightly tinged with a foreign accent, he explained the mechanical and scientific reasons for the construction he had suggested, gave evidence at once of no common talent, and of a considerate-ness and good-nature in its exercise more valuable than all the talent in the world. If trifling and every-day occurrences afford, as I believe they do, the surest and safest indications of character, we could have no hesitation in pronouncing upon the amiable qualities of M. Choynowski.

In person he was tall and graceful, and very noble-looking. His head was particularly intellectual, and there was a calm sweetness about the mouth that was singularly prepossessing. Helen had likened him to a hero of romance. In my eyes he bore much more plainly the stamp of a man of fashion—of that very highest fashion which is too refined for finery, too full of self-respect for affectation. Simple, natural, mild, and gracious, the gentle reserve of his manner added, under the circumstances, to the interest which he inspired. Somewhat of that reserve continued even after our acquaintance had ripened into intimacy.

He never spoke of his own past history, or future prospects, shunned all political discourse, and was with difficulty drawn into conversation upon the scenery and manners of the North of Europe. He seemed afraid of the subject.

Upon general topics, whether of literature or art, he was remarkably open and candid. He possessed in an eminent degree the talent of acquiring languages for which his countrymen are distinguished, and had made the best use of those keys of knowledge. I have never met with any person whose mind was more richly cultivated, or who was more calculated to adorn the highest station. And here he was wasting life in a secluded village in a foreign country! What would become of him after his present apparently slender resources should be exhausted, was painful to imagine. The more painful, that the accidental discovery of the direction of a letter had disclosed his former rank. It was part of an envelope addressed, "A Monsieur Monsieur le Comte Choynowski," and left as a mark in a book, all except the name being torn off. But the fact needed no confirmation. All his habits and ways of thinking bore marks of high station. What would become of him?

It was but too evident that another calamity was impending over the unfortunate exile. Although most discreet in word and guarded in manner, every action bespoke his devotion to his lovely fellow inmate. Her wishes were his law. His attentions to her little boy were such as young men rarely show to infants except for love of the mother; and the garden, that garden abandoned since the memory of man, (for the Court, previous to the arrival of the present tenant, had been for years uninhabited,) was, under his exertions and superintendence, rapidly assuming an aspect of luxuriance and order. It was not impossible but Helen might realise her playful vaunt, and beat me in my own art after all.

John (our gardening lad) was as near being jealous as possible, and, considering the estimation in which John is known to hold our doings in the flower way, such jealousy must be accepted as the most flattering testimony to his rival's success. To go beyond our garden was, in John's opinion, to be great indeed!

Every thought of the Count Choynowski was engrossed by the fair Helen; and we saw with some anxiety that she in her turn was but too sensible of his attentions, and that everything belonging to his country assumed in her eyes an absorbing importance. She sent to London for all the books that could be obtained respecting Poland; ordered all the journals that interested themselves in that interesting though apparently hopeless cause; turned liberal,—she who had been reared in the lap of conservatism, and whom my father used laughingly to call the little Tory;—turned Radical, turned Republican,—for she far out-soared the moderate doctrines of whiggism in her political flights; denounced the Emperor Nicholas as a tyrant; spoke of the Russians as a nation of savages; and in spite of the evident uneasiness with which the Polish exile listened to any allusion to the wrongs of his country, for he never mingled in such discussions, omitted no opportunity of proving her sympathy by declaiming with an animation and vehemence, as becoming as anything so like scolding well could be, against the cruelty and wickedness of the oppressors of that most unfortunate of nations.

It was clear that the peace of both was endangered, perhaps gone; and that it had become the painful duty of friendship to awaken them from their too bewitching dream.

We had made an excursion, on one sunny summer's day, as far as the Everley Hills. Helen, always impassioned, had been wrought into a passionate recollection of her own native country, by the sight of the heather just bursting into its purple bloom; and M. Choynowski, usually so self-possessed, had been betrayed into the expression of a kindred feeling by the delicious odour of the fir plantations, which served to transport him in imagination to the balm-breathing forests of the North. This sympathy was a new, and a strong bond of union between two spirits but too congenial; and I determined no longer to defer informing the gentleman, in whose honour I placed the most implicit reliance, of the peculiar position of our fair friend.

Detaining him, therefore, to coffee, (we had taken an early dinner in the fir grove,) and suffering Helen to go home to her little boy, I contrived, by leading the conversation to capricious wills, to communicate to him, as if accidentally, the fact of her forfeiting her whole income in the event of a second marriage.—He listened with grave attention.

"Is she also deprived," inquired he, "of the guardianship of her child?"

"No. But as the sum allowed for the maintenance is also to cease from the day of her nuptials, and the money to accumulate until he is of age, she would, by marrying a poor man, do irreparable injury to her son, by cramping his education. It is a grievous restraint."

He made no answer. And after two or three attempts at conversation, which his mind was too completely pre-occupied to sustain, he bade us good-night, and returned to the Court. The next morning we heard that he had left Upton and gone, they said, to Oxford. And I could not help hoping that he had seen his danger, and would not return until the peril was past.

I was mistaken. In two or three days he returned, exhibiting less self-command than I had been led to anticipate. The fair lady, too, I took occasion to remind of this terrible will, in hopes, since he would not go, that she would have had the wisdom to have taken her departure. No such thing; neither party would move a jot I might as well have bestowed my counsel upon the two stone figures on the great gateway. And heartily sorry, and a little angry, I resolved to let matters take their own course.

Several weeks passed on, when one morning she came to me in the sweetest confusion, the loveliest mixture of bashfulness and joy.

"He loves me!" she said; "he has told me that he loves me!"

"Well?"

"And I have referred him to you. That clause——"

"He already knows it." And then I told her, word for word, what had passed.

"He knows of that clause, and he still wishes to marry me! He loves me for myself! Loves me, knowing me to be a beggar! It is true, pure, disinterested affection!"

"Beyond all doubt it is. And if you could live upon true love——"

"Oh, but where that exists, and youth, and health, and strength, and education, may we not be well content to try to earn a living together? think of the happiness comprised in that word! I could give lessons;—I am sure that I could. I would teach music, and drawing, and dancing—anything for him! or we could keep a school here at Upton—anywhere with him!"

"And I am to tell him this?"

"Not the words!" replied she, blushing like a rose at her own earnestness; "not those words!"

Of course, it was not very long before M. le Comte made his appearance.

"God bless her, noble, generous creature!" cried he, when I had fulfilled my commission. "God for ever bless her!"

"And you intend, then, to take her at her word, and set up school together?" exclaimed I, a little provoked at his unscrupulous acceptance of her proffered sacrifice. "You really intend to keep a lady's boarding-school here at the Court?"

"I intend to take her at her word, most certainly," replied he, very composedly; "but I should like to know, my good friend, what has put it into her head, and into yours, that if Helen marries me she must needs earn her own living? Suppose I should tell you," continued he, smiling, "that my father, one of the richest of the Polish nobility, was a favourite friend of the Emperor Alexander; that the Emperor Nicholas continued to me the kindness which his brother had shown to my father, and that I thought, as he had done, (gratitude and personal attachment apart,) that I could better serve my country, and more effectually ameliorate the condition of my tenants and vassals, by submitting to the Russian government, than by a hopeless struggle for national independence? Suppose that I were to confess, that chancing in the course of a three-years' travel to walk through this pretty village of yours, I saw Helen, and could not rest until I had seen more of her;—supposing all this, would you pardon the deception, or rather the allowing you to deceive yourselves? Oh, if you could but imagine how delightful it is to a man, upon whom the humbling conviction has been forced, that his society is courted and his alliance sought for the accidents of rank and fortune, to feel that he is, for once in his life, honestly liked, fervently loved for himself, such as he is, his own very self,—if you could but fancy how proud he is of such friendship, how happy in such love, you would pardon him, I am sure you would; you would never have the heart to be angry. And now that the Imperial consent to a foreign union—the gracious consent for which I so anxiously waited to authorize my proposals—has at length arrived, do you think," added the Count, with some seriousness, "that there is any chance of reconciling this dear Helen to my august master? or will she still continue a rebel?"

At this question, so gravely put, I laughed outright "Why really, my dear Count, I cannot pretend to answer decidedly for the turn that the affair might take; but my impression—to speak in that idiomatic English, more racy than elegant, which you pique yourself upon understanding—my full impression is, that Helen having for no reason upon earth but her interest in you, ratted from Conservatism to Radicalism, will for the same cause lose no time in ratting back again. A woman's politics, especially if she be a young woman, are generally the result of feeling rather than of opinion, and our fair friend strikes me as a most unlikely subject to form an exception to the rule. However, if you doubt my authority in this matter, you have nothing to do but to inquire at the fountain-head. There she sits, in the arbour. Go and ask."

And before the words were well spoken, the lover, radiant with happiness, was at the side of his beloved.

*** END OF THE PROJECT GUTENBERG EBOOK COUNTRY LODGINGS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- COUNTRY LODGINGS

- THE FULL PROJECT GUTENBERG LICENSE