The Project Gutenberg eBook of The Ghost of Chatham; A Vision

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Ghost of Chatham; A Vision

Author: Anonymous

Release date: March 13, 2008 [eBook #24825]

Most recently updated: January 3, 2021

Language: English

Credits: Produced by K Nordquist, Sam W. and the Online Distributed

Proofreading Team at https://www.pgdp.net (This file was

produced from images generously made available by The

Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK THE GHOST OF CHATHAM; A VISION ***

THE

GHOST OF CHATHAM;

A VISION.

DEDICATED TO THE HOUSE OF PEERS.

“Now a thing was secretly brought to me, and mine ear received a little thereof. A SPIRIT passed before my face.”

JOB.

LONDON:

PRINTED FOR WILLIAM HONE,

45, LUDGATE HILL.

1821.

Sixpence.

J. M‘Creery, Tooks Court,

Chancery Lane, London.

PREFACE.

The following lines were written under the powerful impulse of feelings which appear to have been almost consentaneous with those of the whole British people. The national spirit has been rouzed against this cruel and unconstitutional attack upon the QUEEN, with pervasive ardour, which forcibly recalls the language of the Augustan poet:—

“SPIRITUS intus alit, totamque infusa per ARTUS,

MENS agitat MOLEM, et magno se corpore miscet.”

This irresistible movement has been one of LOYALTY, not of FACTION; of love and not of enmity towards the constitution. It is not disputed that factious men exist, who are ready to swell public tumult whenever it arises: but it is mere drivelling, for ministers and their adherents, to talk of “radicalism” and democracy on this occasion. They must know, if they consult the commonest sources of intelligence open to them, that detestation of “THE BILL OF PAINS AND PENALTIES” is rooted beyond all possibility of eradication in the breasts of an overwhelming majority of good men, and faithful subjects.

At the moment when it was determined to send the following “VISION” to the press, a burst of honest exultation has electrified the whole kingdom. With feelings of solemn gratitude to God, and love for my country, I rejoice not only that the QUEEN is thus delivered from the fangs of her enemies; but that THE KING, THE CONSTITUTION, and THE COUNTRY, have been thus, as I do unequivocally believe, rescued from a tremendous explosion, which would at best have been of doubtful issue to our liberties.

Notwithstanding this most happy, this providential result, I have determined still to send out the poem to the public; because it expresses in strong, however inadequate language, sentiments which are essential to our character as a free people, and to the preservation of our justly balanced monarchy.

I have not assumed the FASCIS of satire, without deep conviction that its rods were imperatively called into action: but most gladly shall I reverse them, after the manner of the ancient LICTORS, over the obsequies of an administration, which must be now in its death-pangs. May succeeding cabinets be WARNED, not guided, by its example!

THE

GHOST OF CHATHAM;

A VISION.

A vision came! It was not in the hour

Of sleep; but when the unresisted power

Of magic Fancy, threw, with full control,

Her half prophetic mantle o’er the soul.

The place was thron’d like Britain’s royal halls,

And her proud navy deck’d the tap’stried walls.

Statesmen and heroes grac’d the pictur’d scene;

Fathers who were what since their sons have been;

And some whose laurell’d brows might glow with shame,

Of sons with nought of their’s besides the name.

In this august abode the loud debate

Seem’d hush’d, and prince and peer in silence sate;

E’en G—ff—d’s brazen descant seem’d to fail,

And gasping C—pley gazed on L—d—rd—le;

Panting, they loll’d their contumelious tongues,

And suck’d Italian juice to clear their lungs.

Y—k mus’d on armies; yet, with doubtful trust,

Wish’d he were certain, or the cause were just:

The eye of Cl—r—nce fiercely rang’d the floor,

But soften’d as it fell on D—n—ghm—re;

While L—v—rp—l, who inly seem’d to fear

For place and power, his fellows strove to cheer

With sickly smile; and courtier lords obscene,

Temper’d new filth, to daub their libell’d QUEEN.

Sudden amid the peers whom ENGLAND hails

HER nobles—men who fail but when SHE fails,

The vision rose. It was a rev’rend form

Of aged dignity: its eye was warm

With kindlings of a spirit that of old

Made those walls tremble through its earthly mould.

Now a mild glory round its presence play’d,

And ’spoke from heav’nly courts the awful shade.

Its brow wore high reproof; the lifted arm

Was stretch’d for pleading; and there was a charm

Of coming eloquence, as firm it stood,

Like one whose rank was with the great and good;

And well that rank was own’d, when ERSKINE cried,

“’Tis England’s CHATHAM!”—“CHATHAM!” all replied.

Like the dead stillness of the summer air,

When pregnant clouds of shrouded fire are there,

They sat:—and like the voice of thunder broke

The rolling periods, as the vision spoke.

“Is this,” he cried, “the consecrated floor,

Where England’s peerage stood, as known of yore,

Jealous of honour, zealous for the laws;

Justice their sword, and England’s weal their cause?

Are these the walls whose echoes then return’d

No words that chasten’d gallantry had spurn’d?

Is this the throne whose last loved tenant view’d

His people’s morals as the monarch’s good?

Display’d beneath the sov’reign diadem,

DOMESTIC VIRTUE, Britain’s dearest gem;

And bade Example to his court proclaim

What taught, unpractis’d, is the teacher’s shame?

Ah no! that throne is chang’d; this gew-gaw thing

Befits a raree-shew, not England’s King!

And can it be that Brunswick’s cherish’d heir

Will also change the laws which plac’d him there?

Forget the STUART’S FATE, the BRUNSWICK’S OATH;

Yet make his sorrowing subjects dwell on both?

Forbid it, Heaven! Far other thoughts he knew,

When yet his talents with his graces grew;

When Genius, Beauty, in his circle ran,

Admired the prince, and half adored the man.

Nor now thus fall’n!—Yet whence this hot cabal

Of treasury bench, and bench episcopal?

These monstrous portents that before me rise

Of mitred pimps, and coronetted spies!

This deep, dark plotting, spreading net and snare,

By hands that used their country’s ark to bear?

This hateful truckling to misguided power,

Combined in palace, temple, hall, and bower,

To crush an outcast Queen, with evidence

By facts refuted, ridiculed by sense?—

Tales that would merit but an equal fate,

Told of the veriest wench in Billingsgate!

FATHERS! and BRITONS! whence this alien band

Of miscreant lechers bribed from sea and land?—

By England spurn’d, yet plied with England’s gold,

Till every scoundrel’s stock of oaths was sold;

Then hither sent by hirelings vile as they,

To pass for sterling truth in open day.

Monstrous fatuity! and British peers

Have lent these vermin not unwilling ears;

For new-born lies have barter’d ancient law,

Broke public faith, to patch a private flaw,

And made a court that freemen never saw.

ACCUSERS, JURY, JUDGES, all in ONE!

O England! now be firm, or be undone!

Strangle this monster, ere its birth be o’er,

Or grov’lling lick the dust to rise no more!

Heard I aright? and was it HERE I heard

This crew ’gainst England’s CONSORT QUEEN preferred?

Here did their sland’rous breath infest the air?

Hence did malicious tongues the scandal bear?

Gush’d ’neath this sacred dome the prurient flood

Of filth and venom, from that viper brood,

Which o’er the land hath spread its noisome stain,

While shudd’ring virtue weeps, but weeps in vain?

And (O shame’s nauseous dregs!) did noble lips

Here taste that stream with epicurean sips?

And mitred heads, as o’er its scum they bent,

Snuff the rank steam, and chuckle at the scent?—

My soul is sick!—I turn with sated ear,

And find a cordial in my brethren here.

Peers who their conscience to no market bring;

Respect themselves, their country, and their king:

Nor would round England’s smiling hearths diffuse

The breath—the very atmosphere of stews.

O horrid! yes, I feel the blast impure,

Air no blessed spirit may unpained endure:

Yet leave I not without a warning voice:

Hear, and obey, and Britons shall rejoice!

“You cannot, Lords! by votes create a crime,

Nor make your country’s voice with falsehood chime:—

You cannot quench, with all this flood of LIES,

A gallant people’s glowing sympathies:—

You cannot hide your idol God from them,

When prone you kiss its garment’s nether hem:—

You cannot waste their treasure on a cause,

That boldly violates their guardian laws;

And ’scape the arrows from their quiver hurl’d—

The keen reproach, and hisses of the world.

You may cry ‘GUILTY!’ but the umpire land

Cancels the verdict with indignant hand,

Reveres the NOBLE MANY who uphold

The nation’s dignity; nor brooks that gold,

Wrung hardly from her toiling sons, should pay

The Judas gang that would her rights betray.

Scorn meets THE FEW who, bought by pandering power,

Outvote the nation’s voice in hapless hour.

O pause ere yet that fatal hour is seen!—

Be counsell’d, Lords!—You cannot crush your Queen,

But by a blow that must, with blind intent,

Bruise THRONE and ALTAR in its dire descent!

“O where, ye PRELATES! is your light withdrawn?

Where now the lustral influence of your lawn?[A]

Where the meek crosier, and the crook of fleece,

That guard the fold (not reckless of the peace)?

Is there no wolf in all your pastur’d plains?

No murrain rankling in your lambkins’ veins?

No lurking thief, by whom they nightly bleed?

No arid spots refreshing streams that need?

O why, forgetful of your solemn call,

Sit ye, unmindful where the victims fall,

To hire ONE SACRIFICE with cords be bound,

And your anointed hands inflict the wound?

O desecrated thus, by off’rings high

To demon passions!—Foul idolatry!

If such your rites, no LEVITE here I view,

But BAAL’S PRIESTS may leap and shout with you.[B]

O whither urge these bodings of my breast?

Let hope, let charity their flight arrest!

In Britain’s SARDIS, surely some remain

Whose courtly robes yet bear no wilful stain!

PRINCES! and PEERS! once more on you I call—

Save! save your tottering glory ere it fall!

If truth, if virtue, to your hearts be dear;

If sounds of sweet content you love to hear;

If generous sons, and daughters chaste, you prize,

And all a happy home’s delightful ties;

If just gradation on the social scale

Be worth your care; if rank can aught avail:

If rev’rence for the altar and the throne,

Be yours, and GEORGE the lawful king, you own:

If rights your fathers were combin’d to save,

When Britain’s sceptre to his race they gave,

Be justly claim’d, as justly claim’d they are

By every son that British mothers bear:

O save your names from hate, disgrace, and scorn,

HIST’RY’S bequest to ages yet unborn!

“Ah! heard ye not your lion-genius roar,

And shake with mighty tread his ev’ry shore?

Deem not that roar in vain; for it hath found

Redoubl’d echoes all the realm around,

And generous hearts have rous’d them at the sound.

There is a spirit mightier far than yours—

Magnanimous and mild, it much endures:

But urg’d too far, a giant’s strength awakes,

And gyves and bonds at one fierce effort breaks.

O hear yet more! There is a GOD, whose eye

Pierces your counsels’ darkest mystery;

Whose blessing England owns for countless years,

Whose vengeance now she deprecates with tears.

To HIM your Queen appeals, and at HIS bar,

Your names must mark the awful calendar;

There must the witness CONSCIENCE naked plead,

And guilty kings receive the culprit’s meed.

O think on this! e’en now that witness own,

And save YOURSELVES, your COUNTRY, and your THRONE!”—

The vision ceas’d, and in a radiant cloud

Withdrew—The breathless senate rev’rent bow’d.

New vigour throbb’d in every patriot breast,

And nerveless horror sicken’d all the rest.

THE END.

FOOTNOTES:

[A] See the Earl of Chatham’s animated speech against the employment of Indian warriors to assist in the subjugation of America.

[B] In this, as I conceive, seasonable reproof of certain “Lords Spiritual” I would not be understood to involve the whole of that reverend body. Some of them, I firmly believe, have remained at a distance from the combat, aged and infirm, like ELI, sitting by the wayside of Shiloh, and watching with trembling heart, lest the ark (I will not say of GOD, but of THE CONSTITUTION) should fall in the unhallowed conflict. Others, perhaps, have not cared to meddle in what they may have considered a doubtful matter: but it must not be concealed, that when TRUTH and JUSTICE are at stake, neutrality is no honourable sanctuary for the avowed servants of the TEMPLE. Let the Bishops beware of discovering their nakedness upon the very steps of the altar.—The eye of an enlightened people is upon them; and with their character for real consistent PIETY, and fidelity to sound PROTESTANT PRINCIPLES, THE CHURCH OF ENGLAND will stand or fall.

J. M‘Creery, Tooks Court,

Chancery Lane, London.

JUST PUBLISHED BY WILLIAM HONE,

45, LUDGATE-HILL.

Price Two Shillings.

THE PREROGATIVES OF A QUEEN CONSORT OF ENGLAND; particularly of her ability to make and receive Gifts, to sue and be sued, and to hold Courts without the King; of its being Treason to plot against her Life; of the modes of trying her for Offences; and of her ancient Revenue of Queen-Gold.

“The King’s wife is participant of many Prerogatives above other Women.”—Finch.

Handsomely engraved, in one Print, from authentic Likenesses obtained by WILLIAM HONE from Spain, for the gratification of the British People.

Price 1s.—Fine Proofs on India paper, 3s.

THE PORTRAITS OF QUIROGA, RIEGO, AGUERO, AND BANOS, the Four distinguished FOUNDERS OF THE SPANISH REVOLUTION; which, on the 1st of January, 1820, they courageously commenced in Arms; and, to their immortal glory, secured, without bloodshed, by putting the law above the King.

BUONAPARTEPHOBIA.—Ninth Edition—Now first printed as an 8vo. pamphlet.

Price One Shilling.—A Coloured Edition, 1s. 6d.

THE ORIGIN OF DR. SLOP’S NAME. BY THE AUTHOR OF THE POLITICAL HOUSE THAT JACK BUILT.

“I have conferred on him a glorious immortality.

—With his name the mothers still their babes.”—

King Henry VI.

“By virtue of my public authority, I hereby ratify and confirm his right and title to the name of “SLOP;” and it is my parodial will and pleasure, that he continue to bear it during his natural life.”—PREFACE.

NEW EDITIONS—carefully printed, with fine Impressions of the Cuts.

One Shilling each.

1. THE POLITICAL HOUSE THAT JACK BUILT—Thirteen Cuts.

2. THE MAN IN THE MOON, with the Political Christmas Carol, and the Parody written by Mr. Canning—Fifteen Cuts.

3. THE QUEEN’S MATRIMONIAL LADDER. With Fourteen Step Scenes and Eighteen Cuts.

Sixpence each.

1. NON MI RICORDO, &c. &c. &c.! Cuts.

2. THE DROPT CLAUSES OUT OF THE BILL AGAINST THE QUEEN. For the Attorney General to peruse and settle.

N. B.—Coloured Editions of the “Political House that Jack Built,” and the “Queen’s Matrimonial Ladder,” price 3s. each. “The Man in the Moon,” coloured, 2s. “Non mi Ricordo!” coloured, 1s.

New Works Preparing—One Shilling each.

1. THE RIGHT DIVINE OF KINGS TO GOVERN WRONG.

2. THE TRIUMPH OF THE PRESS.

3. A SLAP AT SLOP.

4. NERO VINDICATED.

JUST PUBLISHED BY WILLIAM HONE,

45, LUDGATE-HILL.

Price Six Shillings in Boards.

THE APOCRYPHAL NEW TESTAMENT, Being all the Gospels, Epistles, and other pieces now extant, attributed in the first four centuries to JESUS CHRIST, his Apostles, and their companions, and not included in the New Testament by its compilers. Translated from the original, and now first collected into One Volume, with a Preface and Tables.

*** The Books that exist, of those not included in the Canon, are carefully brought together into the present volume. They naturally assume the title of the APOCRYPHAL NEW TESTAMENT; and he who possesses this and the New Testament, has, in the two volumes, a collection of all the Historical Records relative to Christ and his Apostles, now in existence, and considered sacred by Christians during the first four centuries after his birth.

CONTENTS.

Preface.

Gospel of the birth of Mary.

The Protevangelion, or birth of Christ and the Virgin, by James the lesser.

The first Gospel of the Infancy of Christ.

Thomas’s Gospel of the Infancy.

Epistles of Christ and Abgarus.

Gospel of Nicodemus.

Apostles’ Creed.

Paul’s Epistle to the Laodiceans.

Epistles of Paul and Seneca.

Acts of Paul and Thecla.

Clement’s Two Epistles to the Corinthians.

Epistle of Barnabas.

The Seven Epistles of Ignatius to the Ephesians, Magnesians, Trallians, Romans, Philadelphians, Smyrnæans, and Polycarp.

Epistle of Polycarp to the Philippians.

The Shepherd of Hermas, in three books.

Table I. List of all the lost Apocryphal books.

Table II. List of early Catalogues of the Books of the New Testament.

*** By the publication of this Volume, the Editor conceives he has rendered an acceptable service to the THEOLOGICAL STUDENT and the ECCLESIASTICAL ANTIQUARY:—he has endeavoured to render it more gratifying to the reader, and more convenient for reference, by arranging the Books into Chapters, and dividing the Chapters into verses.

The LOVER OF OLD LITERATURE will here find the obscure but unquestionable origin of several remarkable relations, in the Golden Legend, the Lives of the Saints, and similar productions, concerning the Parentage and Birth of the Virgin, her Marriage with Joseph on the budding of his rod, the Nativity of Jesus, the Miracles of his Infancy, his laboring with Joseph at the Carpentry trade, the actions of his Followers, his Descent into Hell, &c.

Several of the PAPAL PAGEANTS for the Populace and the MONKISH MYSTERIES performed as Dramas at Chester, Coventry, Newcastle, and in other parts of England, are almost verbatim representations of the stories. Many valuable Pictures by the best masters—Prints by the early Engravers, and particularly of the Italian and German Schools—Woodcuts in early black letter and block books—and Illuminations of missals and monastic MSS.—receive immediate elucidation on reference to the APOCRYPHAL NEW TESTAMENT, and are without explanation from any other source.

Transcriber's Note

This text contains some variant and archaic spelling; this has been left as printed throughout.

A single typographic error, on page iii, was corrected—recals amended to recalls.

*** END OF THE PROJECT GUTENBERG EBOOK THE GHOST OF CHATHAM; A VISION ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

THE GHOST OF CHATHAM;

A VISION.

DEDICATED TO THE HOUSE OF PEERS.

PREFACE.

THE GHOST OF CHATHAM;

A VISION.

FOOTNOTES:

JUST PUBLISHED BY WILLIAM HONE,

JUST PUBLISHED BY WILLIAM HONE,

THE FULL PROJECT GUTENBERG LICENSE