The Prince and the Pauper, Part 1.
Date: 2004-07-03T00:00:00+00:00
Keywords: Historical fiction; London (England) -- Fiction; Impostors and imposture -- Fiction; Boys -- Fiction; Social classes -- Fiction; Princes -- Fiction; Edward VI; King of England; 1537-1553 -- Fiction; Poor children -- Fiction; Lookalikes -- Fiction

The Project Gutenberg eBook of The Prince and the Pauper, Part 1.

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Prince and the Pauper, Part 1.

Author: Mark Twain

Release date: July 3, 2004 [eBook #7154]
Most recently updated: December 30, 2020

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK THE PRINCE AND THE PAUPER, PART 1. ***

THE PRINCE AND THE PAUPER

by Mark Twain

Part One

The Great Seal

I will set down a tale as it was told to me by one who had it of his father, which latter had it of HIS father, this last having in like manner had it of HIS father—and so on, back and still back, three hundred years and more, the fathers transmitting it to the sons and so preserving it.  It may be history, it may be only a legend, a tradition. It may have happened, it may not have happened:  but it COULD have happened.  It may be that the wise and the learned believed it in the old days; it may be that only the unlearned and the simple loved it and credited it.

CONTENTS

I.

The birth of the Prince and the Pauper.

II.

Tom's early life.

III.

Tom's meeting with the Prince.

IV.

The Prince's troubles begin.

ILLUSTRATIONS

THE GREAT SEAL (frontispiece)

THE BIRTH OF THE PRINCE AND THE PAUPER

"SPLENDID PAGEANTS AND GREAT BONFIRES"

TOM'S EARLY LIFE

OFFAL COURT

"WITH ANY MISERABLE CRUST"

"HE OFTEN READ THE PRIEST'S BOOKS"

"SAW POOR ANNE ASKEW BURNED"

"BROUGHT THEIR PERPLEXITIES TO TOM"

"LONGING FOR THE PORK-PIES"

TOM'S MEETING WITH THE PRINCE

"AT TEMPLE BAR"

"LET HIM IN"

"HOW OLD BE THESE

"DOFF THY RAGS, AND DON THESE SPLENDORS"

"I SALUTE YOUR GRACIOUS HIGHNESS!"

THE PRINCE'S TROUBLES BEGIN

"SET UPON BY DOGS"

"A DRUNKEN RUFFIAN COLLARED HIM"

Chapter I. The birth of the Prince and the Pauper.

In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him.  On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him too.  England had so longed for him, and hoped for him, and prayed God for him, that, now that he was really come, the people went nearly mad for joy.  Mere acquaintances hugged and kissed each other and cried. Everybody took a holiday, and high and low, rich and poor, feasted and danced and sang, and got very mellow; and they kept this up for days and nights together.  By day, London was a sight to see, with gay banners waving from every balcony and housetop, and splendid pageants marching along.  By night, it was again a sight to see, with its great bonfires at every corner, and its troops of revellers making merry around them.  There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him—and not caring, either.  But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.

Chapter II. Tom's early life.

Let us skip a number of years.

London was fifteen hundred years old, and was a great town—for that day. It had a hundred thousand inhabitants—some think double as many.  The streets were very narrow, and crooked, and dirty, especially in the part where Tom Canty lived, which was not far from London Bridge.  The houses were of wood, with the second story projecting over the first, and the third sticking its elbows out beyond the second.  The higher the houses grew, the broader they grew.  They were skeletons of strong criss-cross beams, with solid material between, coated with plaster.  The beams were painted red or blue or black, according to the owner's taste, and this gave the houses a very picturesque look.  The windows were small, glazed with little diamond-shaped panes, and they opened outward, on hinges, like doors.

The house which Tom's father lived in was up a foul little pocket called Offal Court, out of Pudding Lane.  It was small, decayed, and rickety, but it was packed full of wretchedly poor families. Canty's tribe occupied a room on the third floor.  The mother and father had a sort of bedstead in the corner; but Tom, his grandmother, and his two sisters, Bet and Nan, were not restricted—they had all the floor to themselves, and might sleep where they chose.  There were the remains of a blanket or two, and some bundles of ancient and dirty straw, but these could not rightly be called beds, for they were not organised; they were kicked into a general pile, mornings, and selections made from the mass at night, for service.

Bet and Nan were fifteen years old—twins.  They were good-hearted girls, unclean, clothed in rags, and profoundly ignorant.  Their mother was like them.  But the father and the grandmother were a couple of fiends.  They got drunk whenever they could; then they fought each other or anybody else who came in the way; they cursed and swore always, drunk or sober; John Canty was a thief, and his mother a beggar.  They made beggars of the children, but failed to make thieves of them.  Among, but not of, the dreadful rabble that inhabited the house, was a good old priest whom the King had turned out of house and home with a pension of a few farthings, and he used to get the children aside and teach them right ways secretly. Father Andrew also taught Tom a little Latin, and how to read and write; and would have done the same with the girls, but they were afraid of the jeers of their friends, who could not have endured such a queer accomplishment in them.

All Offal Court was just such another hive as Canty's house. Drunkenness, riot and brawling were the order, there, every night and nearly all night long.  Broken heads were as common as hunger in that place.  Yet little Tom was not unhappy.  He had a hard time of it, but did not know it.  It was the sort of time that all the Offal Court boys had, therefore he supposed it was the correct and comfortable thing.  When he came home empty-handed at night, he knew his father would curse him and thrash him first, and that when he was done the awful grandmother would do it all over again and improve on it; and that away in the night his starving mother would slip to him stealthily with any miserable scrap or crust she had been able to save for him by going hungry herself, notwithstanding she was often caught in that sort of treason and soundly beaten for it by her husband.

No, Tom's life went along well enough, especially in summer.  He only begged just enough to save himself, for the laws against mendicancy were stringent, and the penalties heavy; so he put in a good deal of his time listening to good Father Andrew's charming old tales and legends about giants and fairies, dwarfs and genii, and enchanted castles, and gorgeous kings and princes.  His head grew to be full of these wonderful things, and many a night as he lay in the dark on his scant and offensive straw, tired, hungry, and smarting from a thrashing, he unleashed his imagination and soon forgot his aches and pains in delicious picturings to himself of the charmed life of a petted prince in a regal palace.  One desire came in time to haunt him day and night:  it was to see a real prince, with his own eyes.  He spoke of it once to some of his Offal Court comrades; but they jeered him and scoffed him so unmercifully that he was glad to keep his dream to himself after that.

He often read the priest's old books and got him to explain and enlarge upon them.  His dreamings and readings worked certain changes in him, by- and-by.  His dream-people were so fine that he grew to lament his shabby clothing and his dirt, and to wish to be clean and better clad.  He went on playing in the mud just the same, and enjoying it, too; but, instead of splashing around in the Thames solely for the fun of it, he began to find an added value in it because of the washings and cleansings it afforded.

Tom could always find something going on around the Maypole in Cheapside, and at the fairs; and now and then he and the rest of London had a chance to see a military parade when some famous unfortunate was carried prisoner to the Tower, by land or boat. One summer's day he saw poor Anne Askew and three men burned at the stake in Smithfield, and heard an ex- Bishop preach a sermon to them which did not interest him.  Yes, Tom's life was varied and pleasant enough, on the whole.

By-and-by Tom's reading and dreaming about princely life wrought such a strong effect upon him that he began to ACT the prince, unconsciously. His speech and manners became curiously ceremonious and courtly, to the vast admiration and amusement of his intimates.  But Tom's influence among these young people began to grow now, day by day; and in time he came to be looked up to, by them, with a sort of wondering awe, as a superior being.  He seemed to know so much! and he could do and say such marvellous things! and withal, he was so deep and wise!  Tom's remarks, and Tom's performances, were reported by the boys to their elders; and these, also, presently began to discuss Tom Canty, and to regard him as a most gifted and extraordinary creature.  Full-grown people brought their perplexities to Tom for solution, and were often astonished at the wit and wisdom of his decisions.  In fact he was become a hero to all who knew him except his own family—these, only, saw nothing in him.

Privately, after a while, Tom organised a royal court!  He was the prince; his special comrades were guards, chamberlains, equerries, lords and ladies in waiting, and the royal family.  Daily the mock prince was received with elaborate ceremonials borrowed by Tom from his romantic readings; daily the great affairs of the mimic kingdom were discussed in the royal council, and daily his mimic highness issued decrees to his imaginary armies, navies, and viceroyalties.

After which, he would go forth in his rags and beg a few farthings, eat his poor crust, take his customary cuffs and abuse, and then stretch himself upon his handful of foul straw, and resume his empty grandeurs in his dreams.

And still his desire to look just once upon a real prince, in the flesh, grew upon him, day by day, and week by week, until at last it absorbed all other desires, and became the one passion of his life.

One January day, on his usual begging tour, he tramped despondently up and down the region round about Mincing Lane and Little East Cheap, hour after hour, bare-footed and cold, looking in at cook-shop windows and longing for the dreadful pork-pies and other deadly inventions displayed there—for to him these were dainties fit for the angels; that is, judging by the smell, they were—for it had never been his good luck to own and eat one. There was a cold drizzle of rain; the atmosphere was murky; it was a melancholy day.  At night Tom reached home so wet and tired and hungry that it was not possible for his father and grandmother to observe his forlorn condition and not be moved—after their fashion; wherefore they gave him a brisk cuffing at once and sent him to bed.  For a long time his pain and hunger, and the swearing and fighting going on in the building, kept him awake; but at last his thoughts drifted away to far, romantic lands, and he fell asleep in the company of jewelled and gilded princelings who live in vast palaces, and had servants salaaming before them or flying to execute their orders.  And then, as usual, he dreamed that HE was a princeling himself.

All night long the glories of his royal estate shone upon him; he moved among great lords and ladies, in a blaze of light, breathing perfumes, drinking in delicious music, and answering the reverent obeisances of the glittering throng as it parted to make way for him, with here a smile, and there a nod of his princely head.

And when he awoke in the morning and looked upon the wretchedness about him, his dream had had its usual effect—it had intensified the sordidness of his surroundings a thousandfold.  Then came bitterness, and heart-break, and tears.

Chapter III. Tom's meeting with the Prince.

Tom got up hungry, and sauntered hungry away, but with his thoughts busy with the shadowy splendours of his night's dreams. He wandered here and there in the city, hardly noticing where he was going, or what was happening around him.  People jostled him, and some gave him rough speech; but it was all lost on the musing boy.  By-and-by he found himself at Temple Bar, the farthest from home he had ever travelled in that direction.  He stopped and considered a moment, then fell into his imaginings again, and passed on outside the walls of London.  The Strand had ceased to be a country-road then, and regarded itself as a street, but by a strained construction; for, though there was a tolerably compact row of houses on one side of it, there were only some scattered great buildings on the other, these being palaces of rich nobles, with ample and beautiful grounds stretching to the river—grounds that are now closely packed with grim acres of brick and stone.

Tom discovered Charing Village presently, and rested himself at the beautiful cross built there by a bereaved king of earlier days; then idled down a quiet, lovely road, past the great cardinal's stately palace, toward a far more mighty and majestic palace beyond—Westminster. Tom stared in glad wonder at the vast pile of masonry, the wide-spreading wings, the frowning bastions and turrets, the huge stone gateway, with its gilded bars and its magnificent array of colossal granite lions, and other the signs and symbols of English royalty.  Was the desire of his soul to be satisfied at last?  Here, indeed, was a king's palace.  Might he not hope to see a prince now—a prince of flesh and blood, if Heaven were willing?

At each side of the gilded gate stood a living statue—that is to say, an erect and stately and motionless man-at-arms, clad from head to heel in shining steel armour.  At a respectful distance were many country folk, and people from the city, waiting for any chance glimpse of royalty that might offer.  Splendid carriages, with splendid people in them and splendid servants outside, were arriving and departing by several other noble gateways that pierced the royal enclosure.

Poor little Tom, in his rags, approached, and was moving slowly and timidly past the sentinels, with a beating heart and a rising hope, when all at once he caught sight through the golden bars of a spectacle that almost made him shout for joy.  Within was a comely boy, tanned and brown with sturdy outdoor sports and exercises, whose clothing was all of lovely silks and satins, shining with jewels; at his hip a little jewelled sword and dagger; dainty buskins on his feet, with red heels; and on his head a jaunty crimson cap, with drooping plumes fastened with a great sparkling gem.  Several gorgeous gentlemen stood near—his servants, without a doubt.  Oh! he was a prince—a prince, a living prince, a real prince—without the shadow of a question; and the prayer of the pauper-boy's heart was answered at last.

Tom's breath came quick and short with excitement, and his eyes grew big with wonder and delight.  Everything gave way in his mind instantly to one desire:  that was to get close to the prince, and have a good, devouring look at him.  Before he knew what he was about, he had his face against the gate-bars.  The next instant one of the soldiers snatched him rudely away, and sent him spinning among the gaping crowd of country gawks and London idlers.  The soldier said,—

"Mind thy manners, thou young beggar!"

The crowd jeered and laughed; but the young prince sprang to the gate with his face flushed, and his eyes flashing with indignation, and cried out,—

"How dar'st thou use a poor lad like that?  How dar'st thou use the King my father's meanest subject so?  Open the gates, and let him in!"

You should have seen that fickle crowd snatch off their hats then. You should have heard them cheer, and shout, "Long live the Prince of Wales!"

The soldiers presented arms with their halberds, opened the gates, and presented again as the little Prince of Poverty passed in, in his fluttering rags, to join hands with the Prince of Limitless Plenty.

Edward Tudor said—

"Thou lookest tired and hungry:  thou'st been treated ill.  Come with me."

Half a dozen attendants sprang forward to—I don't know what; interfere, no doubt.  But they were waved aside with a right royal gesture, and they stopped stock still where they were, like so many statues.  Edward took Tom to a rich apartment in the palace, which he called his cabinet.  By his command a repast was brought such as Tom had never encountered before except in books.  The prince, with princely delicacy and breeding, sent away the servants, so that his humble guest might not be embarrassed by their critical presence; then he sat near by, and asked questions while Tom ate.

"What is thy name, lad?"

"Tom Canty, an' it please thee, sir."

"'Tis an odd one.  Where dost live?"

"In the city, please thee, sir.  Offal Court, out of Pudding Lane."

"Offal Court!  Truly 'tis another odd one.  Hast parents?"

"Parents have I, sir, and a grand-dam likewise that is but indifferently precious to me, God forgive me if it be offence to say it—also twin sisters, Nan and Bet."

"Then is thy grand-dam not over kind to thee, I take it?"

"Neither to any other is she, so please your worship.  She hath a wicked heart, and worketh evil all her days."

"Doth she mistreat thee?"

"There be times that she stayeth her hand, being asleep or overcome with drink; but when she hath her judgment clear again, she maketh it up to me with goodly beatings."

A fierce look came into the little prince's eyes, and he cried out—

"What!  Beatings?"

"Oh, indeed, yes, please you, sir."

"BEATINGS!—and thou so frail and little.  Hark ye:  before the night come, she shall hie her to the Tower.  The King my father"—

"In sooth, you forget, sir, her low degree.  The Tower is for the great alone."

"True, indeed.  I had not thought of that.  I will consider of her punishment.  Is thy father kind to thee?"

"Not more than Gammer Canty, sir."

"Fathers be alike, mayhap.  Mine hath not a doll's temper.  He smiteth with a heavy hand, yet spareth me:  he spareth me not always with his tongue, though, sooth to say.  How doth thy mother use thee?"

"She is good, sir, and giveth me neither sorrow nor pain of any sort. And Nan and Bet are like to her in this."

"How old be these?"

"Fifteen, an' it please you, sir."

"The Lady Elizabeth, my sister, is fourteen, and the Lady Jane Grey, my cousin, is of mine own age, and comely and gracious withal; but my sister the Lady Mary, with her gloomy mien and—Look you:  do thy sisters forbid their servants to smile, lest the sin destroy their souls?"

"They?  Oh, dost think, sir, that THEY have servants?"

The little prince contemplated the little pauper gravely a moment, then said—

"And prithee, why not?  Who helpeth them undress at night?  Who attireth them when they rise?"

"None, sir.  Would'st have them take off their garment, and sleep without—like the beasts?"

"Their garment!  Have they but one?"

"Ah, good your worship, what would they do with more?  Truly they have not two bodies each."

"It is a quaint and marvellous thought!  Thy pardon, I had not meant to laugh.  But thy good Nan and thy Bet shall have raiment and lackeys enow, and that soon, too:  my cofferer shall look to it.  No, thank me not; 'tis nothing.  Thou speakest well; thou hast an easy grace in it.  Art learned?"

"I know not if I am or not, sir.  The good priest that is called Father Andrew taught me, of his kindness, from his books."

"Know'st thou the Latin?"

"But scantly, sir, I doubt."

"Learn it, lad:  'tis hard only at first.  The Greek is harder; but neither these nor any tongues else, I think, are hard to the Lady Elizabeth and my cousin.  Thou should'st hear those damsels at it!  But tell me of thy Offal Court.  Hast thou a pleasant life there?"

"In truth, yes, so please you, sir, save when one is hungry. There be Punch-and-Judy shows, and monkeys—oh such antic creatures! and so bravely dressed!—and there be plays wherein they that play do shout and fight till all are slain, and 'tis so fine to see, and costeth but a farthing—albeit 'tis main hard to get the farthing, please your worship."

"Tell me more."

"We lads of Offal Court do strive against each other with the cudgel, like to the fashion of the 'prentices, sometimes."

The prince's eyes flashed.  Said he—

"Marry, that would not I mislike.  Tell me more."

"We strive in races, sir, to see who of us shall be fleetest."

"That would I like also.  Speak on."

"In summer, sir, we wade and swim in the canals and in the river, and each doth duck his neighbour, and splatter him with water, and dive and shout and tumble and—"

"'Twould be worth my father's kingdom but to enjoy it once! Prithee go on."

"We dance and sing about the Maypole in Cheapside; we play in the sand, each covering his neighbour up; and times we make mud pastry—oh the lovely mud, it hath not its like for delightfulness in all the world!—we do fairly wallow in the mud, sir, saving your worship's presence."

"Oh, prithee, say no more, 'tis glorious!  If that I could but clothe me in raiment like to thine, and strip my feet, and revel in the mud once, just once, with none to rebuke me or forbid, meseemeth I could forego the crown!"

"And if that I could clothe me once, sweet sir, as thou art clad—just once—"

"Oho, would'st like it?  Then so shall it be.  Doff thy rags, and don these splendours, lad!  It is a brief happiness, but will be not less keen for that.  We will have it while we may, and change again before any come to molest."

A few minutes later the little Prince of Wales was garlanded with Tom's fluttering odds and ends, and the little Prince of Pauperdom was tricked out in the gaudy plumage of royalty.  The two went and stood side by side before a great mirror, and lo, a miracle: there did not seem to have been any change made!  They stared at each other, then at the glass, then at each other again.  At last the puzzled princeling said—

"What dost thou make of this?"

"Ah, good your worship, require me not to answer.  It is not meet that one of my degree should utter the thing."

"Then will _I_ utter it.  Thou hast the same hair, the same eyes, the same voice and manner, the same form and stature, the same face and countenance that I bear.  Fared we forth naked, there is none could say which was you, and which the Prince of Wales.  And, now that I am clothed as thou wert clothed, it seemeth I should be able the more nearly to feel as thou didst when the brute soldier—Hark ye, is not this a bruise upon your hand?"

"Yes; but it is a slight thing, and your worship knoweth that the poor man-at-arms—"

"Peace!  It was a shameful thing and a cruel!" cried the little prince, stamping his bare foot.  "If the King—Stir not a step till I come again! It is a command!"

In a moment he had snatched up and put away an article of national importance that lay upon a table, and was out at the door and flying through the palace grounds in his bannered rags, with a hot face and glowing eyes.  As soon as he reached the great gate, he seized the bars, and tried to shake them, shouting—

"Open!  Unbar the gates!"

The soldier that had maltreated Tom obeyed promptly; and as the prince burst through the portal, half-smothered with royal wrath, the soldier fetched him a sounding box on the ear that sent him whirling to the roadway, and said—

"Take that, thou beggar's spawn, for what thou got'st me from his Highness!"

The crowd roared with laughter.  The prince picked himself out of the mud, and made fiercely at the sentry, shouting—

"I am the Prince of Wales, my person is sacred; and thou shalt hang for laying thy hand upon me!"

The soldier brought his halberd to a present-arms and said mockingly—

"I salute your gracious Highness."  Then angrily—"Be off, thou crazy rubbish!"

Here the jeering crowd closed round the poor little prince, and hustled him far down the road, hooting him, and shouting—

"Way for his Royal Highness!  Way for the Prince of Wales!"

Chapter IV. The Prince's troubles begin.

After hours of persistent pursuit and persecution, the little prince was at last deserted by the rabble and left to himself.  As long as he had been able to rage against the mob, and threaten it royally, and royally utter commands that were good stuff to laugh at, he was very entertaining; but when weariness finally forced him to be silent, he was no longer of use to his tormentors, and they sought amusement elsewhere. He looked about him, now, but could not recognise the locality.  He was within the city of London—that was all he knew.  He moved on, aimlessly, and in a little while the houses thinned, and the passers-by were infrequent.  He bathed his bleeding feet in the brook which flowed then where Farringdon Street now is; rested a few moments, then passed on, and presently came upon a great space with only a few scattered houses in it, and a prodigious church.  He recognised this church.  Scaffoldings were about, everywhere, and swarms of workmen; for it was undergoing elaborate repairs.  The prince took heart at once—he felt that his troubles were at an end, now.  He said to himself, "It is the ancient Grey Friars' Church, which the king my father hath taken from the monks and given for a home for ever for poor and forsaken children, and new-named it Christ's Church.  Right gladly will they serve the son of him who hath done so generously by them—and the more that that son is himself as poor and as forlorn as any that be sheltered here this day, or ever shall be."

He was soon in the midst of a crowd of boys who were running, jumping, playing at ball and leap-frog, and otherwise disporting themselves, and right noisily, too.  They were all dressed alike, and in the fashion which in that day prevailed among serving-men and 'prentices{1}—that is to say, each had on the crown of his head a flat black cap about the size of a saucer, which was not useful as a covering, it being of such scanty dimensions, neither was it ornamental; from beneath it the hair fell, unparted, to the middle of the forehead, and was cropped straight around; a clerical band at the neck; a blue gown that fitted closely and hung as low as the knees or lower; full sleeves; a broad red belt; bright yellow stockings, gartered above the knees; low shoes with large metal buckles. It was a sufficiently ugly costume.

The boys stopped their play and flocked about the prince, who said with native dignity—

"Good lads, say to your master that Edward Prince of Wales desireth speech with him."

A great shout went up at this, and one rude fellow said—

"Marry, art thou his grace's messenger, beggar?"

The prince's face flushed with anger, and his ready hand flew to his hip, but there was nothing there.  There was a storm of laughter, and one boy said—

"Didst mark that?  He fancied he had a sword—belike he is the prince himself."

This sally brought more laughter.  Poor Edward drew himself up proudly and said—

"I am the prince; and it ill beseemeth you that feed upon the king my father's bounty to use me so."

This was vastly enjoyed, as the laughter testified.  The youth who had first spoken, shouted to his comrades—

"Ho, swine, slaves, pensioners of his grace's princely father, where be your manners?  Down on your marrow bones, all of ye, and do reverence to his kingly port and royal rags!"

With boisterous mirth they dropped upon their knees in a body and did mock homage to their prey.  The prince spurned the nearest boy with his foot, and said fiercely—

"Take thou that, till the morrow come and I build thee a gibbet!"

Ah, but this was not a joke—this was going beyond fun.  The laughter ceased on the instant, and fury took its place.  A dozen shouted—

"Hale him forth!  To the horse-pond, to the horse-pond!  Where be the dogs?  Ho, there, Lion! ho, Fangs!"

Then followed such a thing as England had never seen before—the sacred person of the heir to the throne rudely buffeted by plebeian hands, and set upon and torn by dogs.

As night drew to a close that day, the prince found himself far down in the close-built portion of the city.  His body was bruised, his hands were bleeding, and his rags were all besmirched with mud.  He wandered on and on, and grew more and more bewildered, and so tired and faint he could hardly drag one foot after the other.  He had ceased to ask questions of anyone, since they brought him only insult instead of information.  He kept muttering to himself, "Offal Court—that is the name; if I can but find it before my strength is wholly spent and I drop, then am I saved—for his people will take me to the palace and prove that I am none of theirs, but the true prince, and I shall have mine own again."  And now and then his mind reverted to his treatment by those rude Christ's Hospital boys, and he said, "When I am king, they shall not have bread and shelter only, but also teachings out of books; for a full belly is little worth where the mind is starved, and the heart.  I will keep this diligently in my remembrance, that this day's lesson be not lost upon me, and my people suffer thereby; for learning softeneth the heart and breedeth gentleness and charity." {1}

The lights began to twinkle, it came on to rain, the wind rose, and a raw and gusty night set in.  The houseless prince, the homeless heir to the throne of England, still moved on, drifting deeper into the maze of squalid alleys where the swarming hives of poverty and misery were massed together.

Suddenly a great drunken ruffian collared him and said—

"Out to this time of night again, and hast not brought a farthing home, I warrant me!  If it be so, an' I do not break all the bones in thy lean body, then am I not John Canty, but some other."

The prince twisted himself loose, unconsciously brushed his profaned shoulder, and eagerly said—

"Oh, art HIS father, truly?  Sweet heaven grant it be so—then wilt thou fetch him away and restore me!"

"HIS father?  I know not what thou mean'st; I but know I am THY father, as thou shalt soon have cause to—"

"Oh, jest not, palter not, delay not!—I am worn, I am wounded, I can bear no more.  Take me to the king my father, and he will make thee rich beyond thy wildest dreams.  Believe me, man, believe me!—I speak no lie, but only the truth!—put forth thy hand and save me!  I am indeed the Prince of Wales!"

The man stared down, stupefied, upon the lad, then shook his head and muttered—

"Gone stark mad as any Tom o' Bedlam!"—then collared him once more, and said with a coarse laugh and an oath, "But mad or no mad, I and thy Gammer Canty will soon find where the soft places in thy bones lie, or I'm no true man!"

With this he dragged the frantic and struggling prince away, and disappeared up a front court followed by a delighted and noisy swarm of human vermin.

*** END OF THE PROJECT GUTENBERG EBOOK THE PRINCE AND THE PAUPER, PART 1. ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE PRINCE AND THE PAUPER
- CONTENTS
- ILLUSTRATIONS
- THE FULL PROJECT GUTENBERG LICENSE